RONDOR MUSIC INTERNATIONAL HISTORY

ALMO/IRVING & RONDOR MUSIC 1962 -1969

1963       1964       1965       1966       1967       1968       1969      

1962

Around the time Herb Alpert and Jerry Moss founded A&M Records, they also established their music publishing business, Almo Music. Almo is the first two letters of each man's last name. Almo Music Corp. was formally incorporated on October 5, 1962.

Jerry Moss brought Irving Music, named for his father, to the partnership. In its earliest days, A&M Records was a division of Irving Music. Both publishing groups, Almo with ASCAP and Irving with BMI, would represent A&M's interests in the United States. The publishing houses also had the Sharolyn Music and LaBrea Music catalogs.

Sometimes noted as Almo/Irving Music and sometimes as Irving/Almo Music Corp., the publishing houses were headquartered on the A&M Records lot. The street mailing address was 1358 North La Brea, Hollywood, California.

From 1962 until 1976, Almo and Irving's printed sheet music and music books would be manufactured and distributed by a number of manufacturers including Hansen, Key, and Walter Kane.

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1963

1964

1965

 

1966

By now, Almo and Irving Music had a catalog of about 200 copyrights and had 16 folios in preparation. Most of these were songs written by Herb Alpert, Sol Lake, members of the Tijuana Brass, and by Julius Wechter and members of the Baja Marimba Band.

Under Almo Irving, there were four music publishers: Almo and La Brea that were affiliated with ASCAP and Irving and Good Sam with BMI.

Alpert and Moss hired Chuck Kaye to head Almo/Irving. Kaye began to increase the number of staff writers and expand the number of copyrights held. The first hit song that was not on A&M was Ruthann Friedman's "Windy" by The Association.

Almo/Irving established permanent publishing facilities in Mexico, Australia and England.

Dave Hubert was hired as the administrative executive and A&M bought his Davon catalog. Through Davon, Almo/Irving added Mason Williams and Tandyn Almer to its staff of songwriters plus the Rod McKuen catalog.

Songwriters signed in 1966 included Art Podell, Johnny Walsh, Mike Brewer and Larry Marks. 

Lance Freed was hired on November 7. He would rise to the position of President, Rondor Music International.

Irving/Almo acquired the Bob Hilliard, Mort Garson and Day catalogs and signed the team of Roger Nichols and Paul Williams as staff writers as well as Larry Marks to LaBrea; Art Podell to Almo, Johnny Walsh to Irving and Mike Brewer to Good Sam.

A&M's publishing houses administered Good Sam for BMI and LaBrea for ASCAP.

Around May, Rondor Music, Ltd. opened in London. Chuck Kaye and attorney Abe Somer developed Rondor's first foreign publishing arrangement with Carlin Music. Cyril Simons was named director. Rondor's street address was 147 Oxford Street, London, England. They also established facilities in Mexico and Australia.

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1967

Among the staff writers at Almo and Irving were Kerry Chater, and Jack Conrad. Larry Marks was signed in 1967. In September, Almo announced a long-term recording and publishing contract with Ruthann Friedman. Tom Shipley and Michael Brewer were signed as staff writers to Good Sam Music. 

Almo created Irving-Almo Productions, a disc publishing unit, to help introduce its songs with Chuck Kaye, Roger Nichols and Tony Asher providing a&r services.

Joel Sill was hired as a professional manager for the writers and participate in developing new writers. Later in the year, Sill was chosen to head Almo/Irving's first New York office that opened on October 16, 1967. When Sill moved to New York, Art Podell became the west coast professional manager of Almo/Irving. Brenda Andrews joined Almo/Irving Music.

The disc unit was based on the realization that more artists were writing their own material rather than recording songs written by other people. Almo wanted to develop its own talent as writers who were also artists and it also supplied songs to artists not signed to A&M.

In August, Rondor Music International was established to handle A&M's international publishing concerns. Rondor was named for sons Ron Moss and Dore Alpert. Chuck Kaye ran the operation. Richard Stewart was named Rondor's director reporting to Kaye. The first offices were Rondor Music Ltd.-Carlin Music Corporation in England; Rondor Music Australia, Pty. Ltd.-Belinda Music Australia, and Rondor Music S.A.-Grever International S.A. in Mexico. Rondor also had publishing affiliations in Germany, Sweden, France, Spain and Italy. Armonic music publishing group distributed Rondor in Spain.

Acquired the Davon Music. Corp. from Dave Hubert, who became the director of A&M International.

The publishing wing now had over 1,000 copyrights.

Charles Hanson Publications was selected to produce and distribute A&M sheet music and music books.

BMI MOST PERFORMED SONGS BY IRVING MUSIC

SONGSONGWRITERS
WindyRuthann Friedman

Irving Music U.S. Copyright Application Cinderella Rockefella

 

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1968

"The most important thing with Almo/Irving] is attitude, both with management and artist. Our entire operation is keen and aware. Aware of the entire social structure of what's happening in the world, and of today's social attitudes.
--Chuck Kaye, Cash Box, October 26, 1968"

"I believe in music of all types. If it is good there's room for it somewhere."

"We live in a literate time, and you have to be literate today to have a universal expression. People are finally realizing that rock is not nonsense music--but rather a valid musical expression."

"Generations are turning towards music more and more and it's not because of dope. It's just that music today is more than a plastic disc--it's a life style."--Chuck Kaye, Record World, November 2, 1968.

The Rondor Group added Lloyd Music (SESAC), Berna Music (ASCAP) and Rodra Music (ASCAP).

Rondor Music Benelux founded.

Rondor's affiliates expanded to:

Argentina: Ediciones Internacionales Fermata and Rondor S.A. had a presence there
Brazil: Fermata Do Brazil, Ltda.
France: Agence Musicale Internatinale
Germany, Austria, Switzerland: Musiikverlag Aberbach Gmbh.
Holland, Belgium: Rondor N.V.
Italy: Gruppo Recordi
>Mexico, Central America, Venezuela, Colombia: Rondor Music S.A.
Scandinavia: Sweden Music Ab.
Spain: Ediciones Armonico
South Africa: Laetrec Music Limited

Nigel Burlinson was hired to administer Rondor in London.

Almo/Irving was the U.S. sub-publisher for several international groups including the Strawbs. Domestically, it signed John Braden.

Hansen and Hal Leonard were Almo-Irving's sheet music and music book selling agents.

John Rose was hired as Almo/Irving's Professional Manager to bring new writers and songs to the publisher. Also notable Brenda Andrews was hired. Starting with Almo as a receptionist, over the next 25 years, Ms. Andrews would be promoted to Senior Vice President and become one of the most influential women in music publishing history. Ms. Andrews was also one of the first African-American women in music publishing. She served as a role model and mentor for many others who wanted to work in the industry.

Almo/Irving computerized its songwriter, song and royalty information.

BMI MOST PERFORMED SONGS BY IRVING MUSIC

SONG SONGWRITERS
Carmen Peter Matz
Classical Gas Mason Williams
Windy Ruthann Friedman

 

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1969

Billboard reported that Chuck Kaye negotiated the acquisition of the Beach Boys' Sea of Tunes catalog for $700,000. The deal was finalized on August 29, 1969. It included about 75 songs. Kaye said, "I felt it was important for A&M to be associated with music like this that will stand on its own forever...You literally can't do a film about [the 1960s] without playing Beach Boys music..." and "We're being careful that the music isn't used in any way that would cheapen it." (Billboard, May 17, 1975). Cash Box ran a different story that Jerry Moss negotiated the deal and that it included 400 songs.

Around the same time, the publishing house began administering songs in Denny Cordell and Leon Russell's Skyhill and Tarka Music in the U.S. and Canada. It also acquired Frank Werber's SFO publishing companies that added songs from Mike Stewart (We Five), John Stewart and Dino Valente. Almo/Irving acquired Island Records chief Chris Blackwell's four British music publishing houses Island Music, Ltd., Blue Mountain, South American Limited and Maroon Music.

Almo/Irving acquired Island Music Limited, Blue Mountain and South America Limited and Maroon Music Limited catalogs. These publishers had songs from Dave Mason, Steve Winwood, Jim Capaldi, Jimmy Cliff, Blind Faith, Gary Wright, Traffic, Spooky Tooth and others.

A&M also created a deal with Chrysalis Records of Britain. This deal brought Almo/Irving the U.S. and Canadian rights to songs by Jethro Tull, Ten Years After, Blodwyn Pig and others.

Chad Stewart (Chad & Jeremy) was hired as producer for Almo Music. He produced Gayle Caldwell and Tarantula's albums for A&M Records.

Signed to Almo Irving staff was John Bettis, then lyricist for Richard Carpenter. As artists signed with A&M Records, many were offered music publishing deals, too. In the 1970s, Styx, Joan Armatrading, Chris DeBurgh, Supertramp, Peter Allen, Pablo Cruise, Peter Frampton, the Tubes and others would have Almo Irving as their music publisher.

BMI MOST PERFORMED SONGS BY IRVING MUSIC

SONG SONGWRITERS
Cycles Gayle Caldwell
Get Together Chet Powers

1969 CASH BOX YEAR END CHARTS

CHART POSITION AND TITLE SONGWRITER(S) PUBLISHER
Top 100 Chart Hits 42. Get Together
76. Black Pearl
Powers
Scepter, Wine, Levine
Irving
Irving

 

In England, Rondor transitioned from its sub publishing agreement with Carlin Music to an independent publisher. Derek Green was named to direct the new office. Rondor's home became the Steinway Building at the corner of Conduit Street and St. George's Street, London. Rondor's initial operating funds was £10,000. Their first signing was the band Yes and their songs were Rondor's first wholly-owned copyrights.

 

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